Tuesday, November 10, 2009

Washington’s Political Theater is Casting New 2010 Show. All Auditions Open

Here in New York, we pride ourselves on having access to some of the world’s most talented, creative, and professionally accomplished actors, directors and writers of theatre. In the eyes of many, Broadway, to date, has been the crowning jewel and last stop for an aspiring thespian’s efforts to achieve success and recognition.

Hence, if one is seeking said success and recognition in this most competitive vocation and especially here in the “Big Apple”, one must come equipped with the writing skills of Shakespeare, the acting talents of a Barrymore, and the directorial excellence of a Bob Fosse. Lacking any of the above, good, steady paying theater gigs, in this town, will be difficult to find.

Well, we say those second and third tier Broadway bound aspirants should save their money, time and energy for a better and far more profitable public option to Broadway theatre. We offer Washington, D.C. as a more attractive alternate venue to ply their second banana talents.

If one is willing to compromise their ethics, principles and moral obligations to their fellow man for money and power, then only the sky is the limit to the success they can attain in Washington. And let’s face it, many actors have been willing to stop at nothing to get the part they desire, so a simple change of venue could be just the ticket they need.

Many are so blinded by the bright lights of Broadway, they fail to appreciate the advantages of a theatrical career in Congress. They will get to act before a national/international audience daily and fly all over the world at the taxpayers’ expense, all the while throwing crumbs to their adoring fans (aka “constituents“).

For those who would doubt my premise, I ask you to review the staging of this week’s performance of Congress’ acting elite - House Speaker Nancy Pelosi and minority speaker John Boehner. Washington’s Political Theater put on a spectacular show as the debate raged over the healthcare reform bill in the House of Representatives.

Prominently featured, at the close of this act, was Ms. Pelosi, stepping up to a bank of microphones with cameras at the ready, as she announced to throngs of reporters and supporters that the House’s Healthcare bill, replete with a Public Insurance Option, guaranteed coverage for most Americans. Of course, she was flanked by the usual blah, blah, blah and blather, blather, blather from the customary crowd of cheesing Cheshire cats, each taking an opportunity to overstate the already overstated.

Knowing fully that what she and her fellow Democrat Congressional cast members had promised was a far cry from the end product produced late Saturday night, Ms. Pelosi flashed her polished dentures with confidence and convincingly told her audience she had delivered what America really needed.

This sterling performance was delivered by the same staunch supporter of a women’s right to choose who signed off on a bill that would deny poor women access to an abortion on any government backed plan. Apparently, Nancy’s years of hamming for the cameras allowed her to harness her acting skills such that she could use them with the efficiency of a battery powered strap-on to screw women like a man. (Okay, so they’ll only appreciate that one in San Francisco.)

Not to be outdone, the Republican’s John “limp boner” Boehner appeared on cue, hitting his marks like a seasoned pro, starring in his own press conference. With his perfectly coiffed hair and Hollywood tan, he predictably denounced his Democrat rival’s success with the usual dog-eared script of tax and spend and big government takeover of healthcare. Unfortunately, Mr. Boehner was clearly the lesser of the two performers. Having been saddled with little more than the usual Republican key word laced presentations, he smartly took advantage of the Washington prop department, hoisting the 1,990 plus paged healthcare bill to aid in his all too transparent and disingenuous rant.

Yes, Pelosi and Boehner have seemingly reached the pinnacle of acting prowess that will go down in the annals of great performances given beyond Manhattan. However, neither could have achieved such greatness without the support of the other 533 Congressional cast members. This Washington production company has unbelievably demonstrated, for decades, that they are capable of rivaling anything Broadway, or even Hollywood, can produce by way of deception.

Much to our surprise and dismay, even Barack Obama made a cameo appearance, playing the role of the eleventh hour Commander-in- Cheer. Knute Rockne would have been proud watching the president come to Capital Hill for a pep talk to the Congressional cast before sending them on stage to give the performances of their lives.

Unfortunately for the American people, a major subplot of this continuing saga is that none of the characters will understand, or even acknowledge, that the public is demanding punitive damages for the waste, fraud, abuse and corruption of the healthcare industrial complex, aided by Congress.

Since the scripting of this episode will ignore the obvious way of delivering those justly deserved punitive damages in the form of a Single Payer System or a robust Public Insurance Option, this drama is being slickly written to show all players winning. The Democrats can boast to their base of their landmark accomplishment, while the Republicans can bitch to their base in preparation for the opening of Washington’s 2010 theater season. And the public is left with the usual cliffhanger ending. In the meantime, the House players can fade behind the curtain while the Senate takes center stage.

To the writer/director’s credit (whomever they are), President Obama is using his God given powers of persuasion to play his role of pragmatist to the hilt. His presence was held off stage for the duration of the town hall fight scenes, so his character could cleverly preserve its image of the cool, new style politician, keeping his promises and getting things done. Whether you are on the Right, the Left or straight down the middle politically in this country, you must admit, the Washington D.C. House Players put on one hell of a show.

But, before the fresh faces of tomorrow’s breed of greed go rushing off to our nation’s capital for their shot at unbridled wealth and ego feeding attention, they must pay their dues at the local level.

Local political venues, such as city councils and or state legislatures, would be comparable to community and dinner theatre or perhaps off Broadway. Here they must hone their skills at shaking the shaky hands of seniors while easing contributions from their wallets with a smile. They must be willing to kiss ugly babies without wincing, as well as developing a taste for cutting the throat of anyone with guts enough to challenge them.

When these very important skills are adequately developed and consistently demonstrated, while being enhanced and nurtured by equally unscrupulous campaign managers, teams of political advisors and assorted flunkies, then they should be well on their way to landing a choice role and selfishly-fulfilling career as a Unites States public servant.

With all that Washington D.C. has to offer, we invite anyone with an insatiable desire to perform or even just a particular penchant for lying to consider this great public option. But don’t be surprised if the current stable of Washington D.C. actors try to discourage you as they will undoubtedly fear the competition.

Lastly, for those who think this season was really thrilling and entertaining, just wait for the show they have planned for 2010. We have been tipped off that Congress finally gets around to Wall Street financial reform and consumer protection legislation. Wow, we can’t wait to see how they pull that off.

Saturday, November 7, 2009

The Last Cargo Cult


I have seen this guy's work before and I highly recommend your attendance

Lee The Cool Guy!


MIKE DAISEY RETURNS
TO THE PUBLIC!

Get $25 tickets for ten days only!

THE LAST CARGO CULT (New York Premiere)
Created and Performed by Mike Daisey
Directed by Jean-Michele Gregory

December 3 - 13


"Comic and searing, a form of literary standup blending autobiography, history, and philosophy." - PHILADELPHIA INQUIRER

"The master storyteller—one of the finest solo performers of his generation." -NEW YORK TIMES

Groundbreaking monologist Mike Daisey (If You See Something Say Something) returns to The Public with the true-life story of his time on a remote South Pacific island whose inhabitants worship America at the base of a constantly erupting volcano. Their religion is explored alongside our own to form a sharp and searing examination of the international financial crisis. Daisey wrestles with the largest questions of what the collapse means, and what it says about our deepest values. Part adventure story and part memoir, he uses each culture to illuminate the other to find, between the seemingly primitive and the achingly modern, a human answer.

SAVE NOW FOR A LIMITED TIME ONLY!
Tickets are just $25 each (reg. $40) for all performances when you order by November 16!

TO PURCHASE TICKETS:
1. Call (212) 967-7555 and mention code PUBLIC
2. Visit www.publictheater.org and use code PUBLIC
3. Bring a printout of this email to The Public Theater Box Office, 425 Lafayette Street: Sunday and Monday: 1:00 - 6:00 PM, Tuesday through Saturday: 1:00 - 7:30 PM

Conditions: Regular priced tickets $40. Offer subject to availability and prior sale; cannot be combined with other discounts or promotions. Not valid on previously purchased tickets. This offer may be revoked at any time. No refunds or exchanges. Phone/online orders subject to standard service fees. Offer expires 11/16.

Thursday, November 5, 2009

Manson the Musical


Visit Them For More Info


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Cast and Crew

Alanna BlairAlanna Blair

(Lynette “Squeaky” Fromme, keyboard, guitar, glockenspiel)

Alanna Blair hails from Memphis, Tennessee and recently converted to New York after living in Los Angeles. Her last play was She do the police in different voices., a solo performance adaptation of The Waste Land by T.S. Eliot which took her to the 2008 Edinburgh Fringe Festival. She’s also working on the feature film Frogtown (frogtownmovie.net). Her BFA from California Institute of the Arts’ School of Theater ensures that she will be broke forever. She sends a crapload of of love and admiration to her amazing Manson Family, and to EndTimes for making this happen.

alannablair.com

Melissa CieslaMelissa Ciesla

(Narrator)

Melissa is thrilled once again to be working with End Times in the mayhem that is. She is glad to see that her BA in dance and 2 years of intense Meisner training at The Esper Studio is once again opening the doors to a world of insanity, art and fun. As she narrates and interviews her way through this hysterically dark journey she would like to thank everyone out there who keeps her sane and especially Meghan Sinclair for covering her ass so she can be in this production….THANK YOU!!!

Colla, AlessandroAlessandro Colla

(Brian Wilson, Paul McCartney, Peter Tork, Judge, acoustic guitar, vibes)

Alessandro Colla is a Queens native, alumnus of LaGuardia High School (FAME!) and Boston University. Having chosen the red pill only to be stranded by the Nebuchadnezzar, Endtimes has been one of the only things that still makes sense. Remarkable people seem to gravitate to this pulsar, and working with them has been an inspiration.. I thank you all with all my heart. Thanks especially to Russ for drawing us together to create a theatre experiance, rather than murder.

Chris CornwellChris Cornwell

(Dennis Wilson, John Lennon, Michael Nesmith, electric guitar)

Chris Cornwell is originally from Austin, Texas and holds a B.F.A. from Texas State University. His last venture with the End Times crew was when in March when he directed two plays for Vignettes For The Apocalypse series. He also plays guitar and sings in the blue grass band The Two Gents.

For music and acting clips visit www.chriscornwell.net.

Dunbar_AlexAlexander Dunbar

(Charles Manson)

Alexander Dunbar- is a New Yorker with his heart in Texas, his bed in Brooklyn, and his left hand petting one of his cats. He started his training in Texas, where he developed a penchant and skill for stage combat (and hanging from chandeliers, in particular). Following his NYC relocation and graduation from AMDA in 2004, Alex has stayed busy co-starring with Chinese-food loving felines, working with our nations elderly, to Dreaming in the Mid Summer Night. He’s thrilled to be back on stage, and for the ongoing chance to prove to his family they didn’t waste their time or money. Hehehe.

Fogleman_CheriCheri Paige Fogleman

(Abigail Folger, Rosemary LaBianca, percussion)

Cheri Paige Fogleman is amazed. Who knew a little air guitar and a rendition of Proud Mary at the Manson audition would lead to this? Super happy. Cheri is a graduate of UNC School of the Arts and of the Maggie Flanigan Studio and has been seen acting on lots of stages in NY and lots of fun indie films AND dancing with many modern dance companies (including Shen Wei Dance Arts, and Aynsley Vandenbrouche Movement Group). Recently she’s been hard at work on a new webisode: HOT MESS… www.shesamess.com. cheers!

www.nycastings.com/cheripaigefogleman

Heather Lee HarperHeather Lee Harper

(Patricia Katie Krenwinkel)

Heather Lee Harper is ecstatic to be a part of Manson the Musical. This is her third show with EndTimes, but the first as a full fledged company member! Favorite Regional credits: Touch (Kathleen), Dial M for Murder (Margot), The Tempest (Miranda), A Clockwork Orange (Ensemble of 10), and Wait Until Dark (Susy). Here in NYC, Ms. Harper is a founding member of The Active Theater Company. A graduate from Arizona State University (BA Theatre Arts) and the American Academy of Dramatic Arts, Los Angeles, Heather is a proud member of the EMC Program.

Tiffany HerrioetTiffany Herrioett

(Choreographer)

Born in South Jamaica, Queens, Tiffany Herrioett began drug dealing at the age of twelve during the 1980s crack epidemic. After leaving drug dealing to pursue a rap career, she was shot at and struck by nine bullets during an incident in 2000. Oh, wait— that‘s 50 cent. Tiffany Herrioett currently teaches tap and ballet to little people (aka children) at Millennium Dance in Harlem, NY. With over a decade of training, she has previously performed at Madison Square Garden as a member of the St. John’s University Dance Team, and has performed as part of Walt Disney Magic Music Days. This is her first time as sole choreographer for a production. She would like to thank Russell for the opportunity, as well as her mom, who supported her by paying “1 million dollars” to facilitate her rigorous training. She would also like to thank the cast for their amazing hard work, and her very significant other, Colin, for his Ghandi-esque patience during the rehearsal process.

Candace JaneeCandace Janee

(Linda Kasabian)

Candace first found her passion for the stage in California where her favorite roles included Mary Warren in “The Crucible”, Corie Bratter in “Barefoot in the Park” and The Evil Fairy in “Sleeping Beauty”. She moved to New York to attend The American Academy of Dramatic Arts, where she graduated in 2007. This is her second show with EndTimes after her highly acclaimed turn as the bloody, bruised and pregnant Lily in ‘The Godling’. She would like to thank EndTimes for this unique and exciting opportunity, and her family and friends for all their love and support!

Dana MazzengaDana Mazzenga

(Susan “Sadie Mae Glutz” Atkins)

Dana just recieved her MFA from the New School for Drama last spring! She is pleased that her $100,000 degree has led her to such a well-meaning, non-violent, sweet character. Seriously though – thank you to Russ, Serena, Tiff, Mel, the cast and all the other EndTimes members for making a gal feel so at home so quickly- this is a truly loveable and super creative ‘family’. Dana can also currently be seen playing Elizabeth in Radiotheatre’s electrifying production of ‘Frankenstein’ at The Kraine Theatre. And finally – RIP Sexy Sadie: “you broke the rules, you laid it down for all to see”. Sigh.

Mead, AnthonyAnthony Mead

(Beach Boys, Beatles, Monkees, drums)

Anthony acts and has acted on New York City stages. He is especially ecstatic to be a part of this here Manson Do-Hickey with so many fun and talented folks. Seriously, he really is. He’s not just saying that. For serious, he told I.

Serena MillerSerena Ebony Miller

(Cello, bass, music director)

Serena began her musical education in church as a child and could not have then foreseen her participation in “Manson the Musical.” She has been playing cello for longer than she cares to confess and enjoys writing songs and arranging music for theater. Serena has worked with EndTimes Productions as an actress, a musician, and formerly a cleaner of bathrooms. Love and thanks to an amazing cast and band for their patience and talent, Russ and Jeremy for the opportunity, the better side of the Miller family, Paul, and St. Anthony and St. Jude for prayers answered.

Mary OrzanoMary Orzano

(Catherine “Gypsy” Share)

Mary Orzano’s regional theatre credits include: Leonard Bernstein’s MASS (Kennedy Center); Souvenirs: A Cabaret to Wage Peace (Kennedy Center); Il Trovatore (The Summer Opera Theatre Company). New York: Writer’s Block (Don’t Tell Mama); Broadway Meows (Don’t Tell Mama); 4 X’mas (Workshop Theatre); Double Exposure (Dramatist’s Guild); Balls (Playwrights Horizons/ Peter Jay Sharp Theatre) TV: Forensic Files; Food Detectives: Season One; Extreme Forensics, Gossip Girl; Law & Order; Law & Order: CI, Nurse Jackie. BM, musical theatre, Catholic University. Mary would like to thank Russ and Serena for this opportunity and the wonderful cast.

Kerstin PorterKerstin Porter

(Sharon Tate)

Kerstin has been with the enduring End Times Family for a couple of years now. You may have spotted her as the headless dolly inventor, telemarketing zombie, half naked Christmas dancer, half naked model, and a fully clothed lawyer. It’s still in question if she can keep fully dressed for this show.

Meghan RitchieMeghan Ritchie

(Leslie Louise “Lulu” Van Houten)

Meghan Ritchie studied at The American Academy of Dramatic Arts in New York City and Atlantic Theater Co. Acting School. She is the founder of Mirabilia Features film company and is a member of The Amoralists Theatre Company. Credits include: For Artists Only (Nellie Tinder), A Marriage of Convenience (Turtle Shell Productions), A Girls Guide to Chaos (Chashama), The Pied Pipers of the Lower East Side (Producer, The Amoralists / PS122 and Theatre 80 St. Marks), Amerissiah (Asst. Director, The Amoralists). She’s very excited to join in the fun of Manson the Musical!

Sapieyevski, MarekMarek Sapieyevski

(Mike Love, George Harrison, Davy Jones, Wojciech Frykowski, banjo, keyboard)

Marek Sapieyevski performs regularly as an actor, singer, and musician throughout NYC and beyond. His most recent theatrical appearances have been with Theatre Rats, Manhattan Children’s Theatre, Planet Connections Festivity, and in the award winning End Times Production of ‘The Godling’ at San Francisco Fringe Festival. As a musician, Marek plays keyboards for The Crevulators, and banjo for internationally touring mariachi/bluegrass/Irish fusion group Rana Santacruz. Many thanks to his fellow cast and crew, and the friends and family who inspire him!

Meghan SinclairMeghan Sinclair

(Narrator)

Meghan Sinclair is an American actor, television host, and comedienne. She is the first cixelsyd person to earn a role in a musical based on one of America’s most appalling true crimes. Even if it is a small role, and they only let her do it on off days. The miraculous story of how Sinclair’s teacher, , broke through the isolation imposed by Meghan’s near complete lack of language, allowing the girl to blossom as she learned to communicate, has become known worldwide through the dramatic depictions of the hit tv show, .

Kevin Paul SmithKevin Paul Smith

(Charles “Tex” Watson)

Kevin Paul Smith is making his debut with EndTimes Productions and could not imagine a better show to do so with. Sex, murder, camp and tap shoes: what more you could want? Kevin could most recently be seen in several Shotgun Theatre Festivals in New York as well as the 1st Guard (Jonas) in Manhattan Rep.’s production of Antigone. He is excited to be dancing again since his last ventures into the world of the dance as Chuck in Footloose and Danny in Grease. He would like to thank this amazing cast for embracing him when he joined them, his family and friends for their love and support, and especially those people who greeted the news of this show with OMG! instead of WTF!

www.kevinpaulsmith.com

Leal_VonaLeal Vona

(Leno LaBianca, Vincent Bugliosi)

Leal is an American martial artist and actor who is best known for martial arts and action plays. His most successful plays include Central Park, Dead Lawyers, and appearances in numerous Met Opera productions. Due to his physique and his Belgian background, he is sometimes known as “The Muscles from Brussels.” After studying martial arts intensively from the age of ten, Vona achieved national success in Belgium as a martial artist and bodybuilder, earning the “Mr. Belgium” bodybuilding title. He emigrated to the United States in 2006 to pursue a career in theatre, and achieved breakout success withNaked Holidays 2008, based on the alleged true story of a Jew named Murray Baum. He attained subsequent box office success with his direction of last year’s Serling Award winner for Best Dramatic Script,Kitchen Scenes with Nightmares, which grossed over $100 million according to his own figures and became his most financially successful play. Amongst his performance tools are the liberal use of scissor kicks and broken English.

Russell Dobular

(Director)

Russell Dobular is a New York native, born and raised in Flushing, Queens. His plays have been presented in New York, and Los Angeles, and he has directed several dozen productions, including the hit comedies “Angel Shit”, and “Everybody Dies”. Most recently, his production of “The Godling” took Best Director, and Best Ensemble honors at the the 2009 San Francisco Fringe Festival. Mr. Dobular also served as the founding Artistic Director of the Horse Trade Theater Group, from 1997-2000. He would like to thank the amazing cast and crew of “Manson the Musical,” for their dedication, and for making every day of the process a joy.

Christina Hurtado

(Stage Manager)

Christina Hurtado is freelance dramaturg, stage manager and the Managing Director for EndTimes Productions. She’s worked in off-Broadway, off-off-Broadway, regional and international venues, and is now on IMDB as a wardrobe supervisor.

Jeremy Pape

(Sound Design)

Jeremy Pape holds a BFA in acting from Philadelphia’s University of the Arts. He is the associate artistic director and technical director of EndTimes Productions, a Manhattan based production company, and is currently enrolled in the New School’s MFA directing program (2012). Recent credits include directing Hope Rd. and Knuckleball, which won best director, best drama and best overall production at the San Francisco Fringe in 2008. In addition, he recently acted as assistant director for Hamlet with the Brooklyn Stage Company and performed design work for the Ammoralists’ critically acclaimed Pied Pipers of the Lower East Side at PS-122 and White Rabbit’s award winning Meredith’s Ring (best one-act or short play, Planet Connections, ’09).

James Neggie

(Executive Producer)

Hails from Queens where his strict Catholic upbringing left him with a morbid obsession with the idea of eternal damnation. To sublimate this trauma James sought solace in comedy, music, and gourmet food. To this end he is a proud graduate of the conservatory program of the Second City; he is an accomplished Highland Bagpiper; and he suffers from a pronounced chafing problem.

Ilana Landecker

(Executive Producer)

Ilana is very happy to be with EndTimes Productions. Ilana previously directed “A Chance Encounter With George W.” as part of Vignettes, and “Little Misseasonings” as part of the Naked Holidays.



Saturday, October 31, 2009

What To Do In A Zombie Attack


Do you know what to do during a zombie attack? No, we didn't think you did; and quite frankly neither did we until recently. Well its Halloween 2009 and we couldn't leave our friends, family, supporters and fans without protection from the horrors that might await them tonight. Watch this short film and take note, for the information contained within could save your very lives.

With any luck, we'll see you all back here on Monday. Click here to download and stay out of trouble

Monday, October 19, 2009

Free Conversations With Culture @ PS 122


FREE and open to the public
"Contemporary Performance and God"
Tuesday, October 20 7pm
11th Street Bar (between Avenues A & B)

Email artsdevelopment@ps122.org to RSVP

Performance Space 122 is pleased to announce the premiere of a new program titled "Conversations with Culture," a series of public panel discussions engaging non-performing arts community members in a dialogue about the art, politics, and life that happens on our stages. These discussions endeavor to reinsert performance into the cultural, economic, and environmental debates coursing through contemporary society, from which it has recently largely been excluded.

On October 20th, PS122 will inaugurate this series with the panel discussion "Contemporary Performance and God," presented in advance of Morgan Thorson's run of Heaven, a new ensemble work exploring emotional and physical manifestations of ecstatic perfection, gleaning forms and concepts from religious practices as strategies for creating the same state through dance. The discussion aims to trigger wider cross-community debates about the role and ramifications of contemporary performance as critique of, complement to, and replacement for other religious practices.
October 20th Participants include:

JAY WEGMAN Director of the Abrons Art Center and and former Canon for Liturgy and the Arts at the Cathedral of St. John the Divine www.henrystreet.org/arts

MORGAN THORSON choreographer: HEAVEN premiering at Performance Space 122 on October 25: http://www.ps122.org/performances/heaven.html

JOHN MERZ Diocese of New York Episcopal Chaplain to NYU http://www.ecnyc.net/

MICHAEL DE DORA JR. Executive Director, Center for Inquiry - New York City http://www.centerforinquiry
.net/

Like Musicals? Then Its Top of the Heap Opening this Weekend For Ya

The Gallery Players presents
TOP OF THE HEAP
Book and Lyrics by William Squier
Music by Jeffrey Lodin
Directed by Neal J. Freeman

It’s New York City, 1955. The Brooklyn Dodgers are about to square off with the Yankees in a World Series that will net “dem bums” their first title in fifty-five years. So, T.V.’s most popular variety program, ‘Top of the Heap,’ is headed to Brooklyn for a live, remote broadcast tied into the Series. A struggling pair of nightclub comics see this as a chance to bluff their way out of the dives where they perform and into television. But, they soon discover just how high a price they’ll have to pay.
Top of the Heap features a timeless jazz-inflected score with music by Jeffrey Lodin and book and lyrics by William Squier. The Stamford Advocate called Top of the Heap,

“A gritty musical that takes a look at the darker side of showbiz.”
This looks like a winner in the making!
The Gritty Details
Performance Schedule
Saturday, October 24 at 8:00 PM – Opening night
Sunday, October 25 at 3:00 PM – matinee
Thursday, October 29 at 8:00 PM
Friday, October 30 at 8:00 PM
Saturday, October 31 at 8:00 PM
Sunday, November 1 at 3:00 PM – matinee
Thursday, November 5 at 8:00 PM
Friday, November 6 at 8:00 PM
Saturday, November 7 at 2:00 PM – matinee
Saturday, November 7 at 8:00 PM
Sunday, November 8 at 3:00 PM – final performance


Catch Kitsch If Your Can Nov. 12-19


20 years ago this November 9, the Berlin Wall was opened, admitting a flood of East Germans into the previously verboten West. To mark the occasion Trav S.D. and his company Mountebanks present Kitsch, or Two for the Price of One, a Brecht-flavored retelling of The Comedy of Errors that brings Western-style excess to Shakespeare’s comedy by doubling the number of pairs of twins in the plot to four. Separated at birth with the Allied Invasion of Berlin in 1945, half are raised in the Communist sector only to be unwittingly reunited with their brothers 44 years later when the Wall comes down. The result is mass confusion!

Kitsch was written by Trav S.D. on MacDowell, and Edward F. Albee Fellowships, on a grant from the Geraldine R. Dodge Foundation. The play also contains nine original songs by Trav S.D.

Kitsch is directed by Ian W. Hill of Gemini Collisionworks (ably assisted by Berrit Johnson) and features Trav S.D., Kate Valentine (a.k.a “Miss Astrid” from the long-running VaVa Voom Room), Audrey Crabtree (The Bouffon Glass Menajoree), as well as Gyda Arber, Aaron Baker, Tom Bibla, Lily Burd, Betsy Head, William Kahn, John Kelly, Gavin Starr Kendall, Pete Macnamara, Josh Mertz, Brian Mott, Roger Nasser, Avery Pearson, Michele Schlossberg, Esther Silberstein, Jillian Tully (Nov. 14 only) and Michael Whitney. Set design is by David Brune; costumes by Karen Flood.

Note: the November 22 performance will be followed by a special program moderated by Trav S.D., presented at no extra charge: a debate entitled “Is the East Better Off?” Arguing the pro-capitalism side will be Joseph Dobrian, The Libertarian Party’s 2009 candidate for Mayor of New York City; arguing for the left, journalist Doug Henwood (host of WBAI’s Behind the News, and editor/publisher of the Left Business Observer).


KITSCH, OR TWO FOR THE PRICE OF ONE
November 12 – 29
Thursdays – Saturdays, 8pm; Sundays, 3pm

Special Debate following November 22 matinee featuring Joseph Dobrian and Douglas Henwood

No show November 26, Thanksgiving

at Theater for the New City’s Johnson Theater
155 First Avenue, between 9th and 10th

Tix: $15/ TDF vouchers accepted
(Special post-Thanksgiving rate: $10 November 27-28-29)


More info: (212) 254-1109 (ask about group rates and other special offers)

Purchases: OvationTix

Also you could go here: www.theaterforthenewcity.net